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how to get digi to look like 16 mm

 
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Elevation
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PostPosted: Mar 12, 2005 10:57 am    Post subject: how to get digi to look like 16 mm Reply with quote

i am an amature filmer and have been shooting digital film for a little while now. i have been looking into 16 mm a little bit because i love that warm effect it gives the picture. i know i can get a really cheap vintage camera that will work fine but the film and processing would be the budget killer. (i could just use a digi cam to record the 16 mm film from a projector but still i dont think i have the knowledge to get into 16 mm). so my question is, is there a filter or effect that i can use to make digi film look more like 16 mm? i have adobe after effects 6.0 but have not found anything on there referring to this.
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PostPosted: Mar 12, 2005 11:12 am    Post subject: Reply with quote

http://www.dvinfo.net/articles/filmlook/broadway1.php
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PostPosted: Mar 12, 2005 4:17 pm    Post subject: Reply with quote

thanks man ill check it out
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PostPosted: Mar 12, 2005 9:41 pm    Post subject: Reply with quote

Media 100 Makes a plug-in bundle for affter effects that is called Final Effects, it has an "effect" to where you can change the footage to look more like film. its called Cinelook i believe

There is also a plug in for FCP that is called Magic Bullet. that can give you that warmish feel you are talking about.

Another thing would be to run the footage thew a program called "cinema tools" and convert your 29fps to 24 or 23fps

DC's link is also good information.

truth is you can never really get it. dv will always look like dv. but if you mess around with differnet combinations of things you can get some what of a close fake.

-James

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PostPosted: Mar 13, 2005 12:38 am    Post subject: Reply with quote

i've used magic bullet in premiere pro. although it helps, like JamesWatts said, you will never get it to look exactly like film.
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PostPosted: Mar 13, 2005 8:55 am    Post subject: Reply with quote

jumalian, i have premier pro on my computer but have not installed it yet. do you know if there is a Magic Bullet effect on 6.5?? by the way i tried some of the things on DCs site and didnt see much of a difference. maybe i did it wrong though, im new to after effects.

JamesWatts, if only i had a mac and could use FCP

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PostPosted: Mar 13, 2005 5:26 pm    Post subject: Reply with quote

I think it also works for premier.

http://www.redgiantsoftware.com/magbulsuit.html


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PostPosted: Mar 13, 2005 6:20 pm    Post subject: Reply with quote

Most of these plugins have demo versions so I would advise experimenting before you buy. The DV format has very poor color information compared to 16mm film and there is no "magic bullet" that can put information there that isn't there to begin with (plus everytime you render video in any NLE there is some quality lost.) I think you'll find you just end up with bad looking DV. Concentrate on getting the exposure right and using the existing lighting correctly and you'll get the best the DV format has to offer.
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PostPosted: Mar 13, 2005 6:28 pm    Post subject: Reply with quote

i also found these:

http://www.nattress.com/filmEffects.htm

http://www.chv-plugins.com/film.html

I would just use magic bullet if i was you to get the color you might want.

really the only major reason to shoot wakeboarding on film besides the difference in depth of film, which no plug in can immulate. is so you can shoot it at a faster rate ie 150fps instead of DV wich is 30. so you can get ultra smooth slow motion.

Good looking DV. is better than poorly immitated film...IMO.

-James

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PostPosted: Mar 13, 2005 7:28 pm    Post subject: Reply with quote

is there any way to change the settings from 30fp/s to a higher number?
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PostPosted: Mar 13, 2005 7:54 pm    Post subject: Reply with quote

Depends on what camera you have.

the new Z1u (and fx1 it think, not sure though) can shoot at 60i

and the xl2 might also.

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PostPosted: Mar 14, 2005 6:22 am    Post subject: Reply with quote

Standard def NTSC video is locked at 29.97 frames per second, anything else wouldn't play back. 60i video is still 30 frames per second it's just scanned as 60 interlaced fields which are combined into 30 full frames (upper field plus lower field added to make one full frame). All your standard DV camcorders record in this mode. PAL video is 25 fps. Traditional film is played back at 24 fps. When you hear about cameras that record 24p or 30p (xl2, DVX100) you are talking about modes in which every frame is sampled in it's entirety rather than as 2 interlaced fields. This type of progressive video mimics film better because single frame playback has different motion blur characteristics then interlaced video playback. When it comes to slow motion film can be overcranked and exposed at say 48 fps and then when played back at 24 you've got perfect 50% slow motion. Perfect because each frame perfectly captures the image with it's associated motion blur at that particular point in time. With video each frame is replicated electronically by either software or hardware and the processor has to guess and interpolate the difference between frame 1 and frame 2. No matter how perfect the algorithms are you're never going to get a perfectly interpolated look like you will with a film frame. When it comes to HD however that are alternatives, cams such as the Panasonic Vari-Cam can record up to 60 progressive frames per second.
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PostPosted: Mar 14, 2005 2:04 pm    Post subject: Reply with quote

have you guys ever seen the Girl skate video Yeah RIght! that is the sickest intro ive ever seen to any movie. how many fps you think that was??
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PostPosted: Mar 14, 2005 7:02 pm    Post subject: Reply with quote

those first scenes were on a high speed camera i dont know what he uses but high speed cameras can shoot up to 1 million FPS atleast according to this site http://www.cordin.com/images.html the rest of the movie looks like 24fps on a 16mm im guessing... i could be absouletly wrong though
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PostPosted: Mar 14, 2005 7:26 pm    Post subject: Reply with quote

Nephilim, holy crap 1 million!!?!?!?! i would really like to find out how slow the Intro was, cause that looked so siick and clean.
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PostPosted: Mar 14, 2005 7:33 pm    Post subject: Reply with quote

I belive that was shot at 200fps.

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PostPosted: Mar 14, 2005 8:11 pm    Post subject: Reply with quote

JamesWatts, thanks man. that is some really awesome film work. i love how smooth it looks and the colors the film has, so sweet.

do u by chance know what camera it was shot with?

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PostPosted: Mar 16, 2005 6:44 pm    Post subject: Reply with quote

I work with a local videographer and we shoot everything HD, 60i and get great looking DV. With Sony's new prosumer HD cam, HD is within a lot more people's grasp.
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PostPosted: Mar 16, 2005 6:59 pm    Post subject: Reply with quote

89comp, 5 grand cameras are not in my grasp right now haha
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PostPosted: Mar 16, 2005 8:02 pm    Post subject: Reply with quote

the sony one is $3500 and you can froogle it for less...
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PostPosted: Mar 17, 2005 5:32 am    Post subject: Reply with quote

89comp,

Are you shooting DV with that Sony or HDV? How does the HDV footage look with lots of motion?

I've been getting lots of mags and articles talking about workflow with that new Sony - guess it's time to start reading them!

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PostPosted: Mar 17, 2005 6:43 am    Post subject: Reply with quote

Its HDV. With the 60i, the footage looks great with lots of motion. Of course having the hard drive space to store it all is $$$. For a 2 min. movie, we used nearly 1 TB of disk space for capturing. rendering, etc.
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PostPosted: Mar 17, 2005 4:10 pm    Post subject: Reply with quote

holy crap Shocked Shocked Shocked 1 terabyte, that is insane!!! i cant imagine making a whole video like that because 2 minutes isnt long at all!!!
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PostPosted: Mar 17, 2005 6:44 pm    Post subject: Reply with quote

HD = cool. Cheap, no.
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PostPosted: Mar 17, 2005 9:40 pm    Post subject: Reply with quote

89comp, one of these days i defenitely want to try out HD
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PostPosted: Mar 17, 2005 10:43 pm    Post subject: Reply with quote

89comp wrote:
Its HDV. With the 60i, the footage looks great with lots of motion. Of course having the hard drive space to store it all is $$$. For a 2 min. movie, we used nearly 1 TB of disk space for capturing. rendering, etc.


I thought HDV had a slightly lower data rate then DV and 2 minutes of DV is well under a gig. According to the specs that new sony will record 60 minutes of HDV on a std DV tape. I don't doubt that you have that much space (I currently have 850 gigabytes worth of storage between the drives in my PowerMac and 2 external firewire units) but I figure that will hold close to a hundred hours of DV source material. How much footage did you edit down from for that 2 minute movie?

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PostPosted: Mar 18, 2005 12:50 am    Post subject: Reply with quote

1tb of space....for 2 min. are u sure...... its only hdv, i dont even think 2 min of fully uncompressed HD footage is 1tb.

-James

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PostPosted: Mar 18, 2005 5:24 am    Post subject: Reply with quote

James - it was about 750 Mb for all the files associated with the project - capturing, rendering, motion graphics, etc.
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PostPosted: Mar 18, 2005 6:25 am    Post subject: Reply with quote

1000 mb = 1 gigabyte, 1000 gigabytes = 1 terrabyte

The current HDV data rates are very similar to DV so in all reality whatever your NLE can currently handle with DV it should be fine with when it comes to HDV. HDV is very compressed compared to DV which is why everyone is interested in how it handles motion. With less real information per frame the compression algorithms have to be that much better. If you get a chance I'd love to see you post say a 10- 15 second clip of a motion shot (wakeboarding would be great Smile ) at full resolution which should be under 50 mbs and doable as a download.

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PostPosted: Mar 18, 2005 6:29 am    Post subject: Reply with quote

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PostPosted: Mar 18, 2005 6:23 pm    Post subject: Reply with quote

This was an interesting quote I from DV.com:
Quote:
Single-frame or slow-mo playback reveals blocking or "quilting" errors, scattered and localized mosquito noise, color trailing, offset spatial details, and posterization

and
Quote:
I wouldn't recommend HDV for compositing, slow-mo, or still frames, but overall, the degradation due to compression was less than I see on most DVDs or in over-the-air HDTV broadcasts.

I'd love to see some footy when you can get it too, and see for myself.

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PostPosted: Mar 26, 2005 10:08 am    Post subject: Reply with quote

I think what they are saying is that they wouldent recomend using the HDV footage for slow-mo, stills, or composing any more than they would recomend normal DV. it cant be any worse than DV.... can it....?

ive talked to a few people. and they say its stunning footage.

still havent seen any myslef though:(

-James

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PostPosted: Mar 26, 2005 4:37 pm    Post subject: Reply with quote

JamesWatts wrote:
I think what they are saying is that they wouldent recomend using the HDV footage for slow-mo, stills, or composing any more than they would recomend normal DV. it cant be any worse than DV.... can it....?



Way more information per frame because of the increased resolution of HD along with around 20% more compression then DV = could be way worse then DV. It only fully samples a full frame every so many frames based on the change from frame to frame (which is how all mpeg compression works) which is why a lot of motion stresses the codec. Even though DV isn't the greatest it's not terrible. The problem is if it get's much worse your average viewer starts to see it.

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